Transgender History covers American transgender history from the mid-twentieth century to today.
Queer women of all kinds face unique obstacles in our society; Seal Press is committed to publishing books that shine a light on the injustices the queer community faces, while bringing both personal experiences and queer theory to our readers. Here you will find incredible titles such as Under this Beautiful Dome by Terry Mutchler, Excluded by award-winning author Julia Serano, and Riding Fury Home by Chana Wilson.
Valencia is the fast-paced account of one girl’s search for love and high times in the drama-filled dyke world of San Francisco’s Mission District.
In this gritty, confessional memoir, Michelle Tea takes the reader back to the city of her childhood: Chelsea, Massachusetts—a place where time and hope are spent on things not getting any worse. Tea’s girlhood is shaped by the rough fabric of the neighborhood and by its characters—the soft vulnerability of her sister Madeline and her quietly brutal Polish father; the doddering, sometimes violent nuns of Our Lady of Assumption; Marisol Lewis from the projects by the creek; and Johnna Latrotta, the tough-as-nails Italian dance-school teacher who offered a slim chance for escape to every young Chelsea girl in tulle and tap shoes. Told in Tea’s trademark loose-tongued, lyrical style, this memoir both celebrates and annihilates one girl’s tightrope walk out of a working-class slum and the lessons she carries with her. With wry humor and a hard-fought wisdom, Tea limns the extravagant peril of a dramatic adolescence with the private, catastrophic secret harbored within the walls of her family’s home—a secret that threatens to destroy her family forever.
Nearly fifteen years before the Stonewall Rebellion and the birth of gay liberation came the Daughters of Bilitis (DOB). Like its predominantly gay male counterparts, the Mattachine Society and ONE, Inc., DOB was launched in response to the oppressive antihomosexual climate of the McCarthy era, when lesbian and gay people were arrested, fired from jobs, and had their children taken away simply on the basis of their sexual orientation. It was against this political backdrop that in 1955 a circle of San Francisco women formed a private club where lesbians could meet other lesbians in a safe, affirming setting. A year later, they produced The Ladder, the first ongoing monthly magazine for lesbians. Over the next two decades, what began as a small social group evolved into a national women’s organization that counted more than a dozen chapters. In Different Daughters, Marcia Gallo draws on interviews with former members of DOB, many of whom have never spoken on record before, as well as extensive research in both archival and personal collections. She chronicles how through its leaders, magazine, and international network of activists, the Daughters played a crucial role in creating lesbian identity, visibility, and political strategies in Cold War America-–and in the process laid the foundation for today’s lesbian and feminist movements.
Helen Boyd’s husband, who had long been open about being a cross-dresser, was considering living as a woman full time. Suddenly, Boyd was confronted with the reality of what it would mean if her husband were actually to become a woman-socially, legally, and medically. Would Boyd love and desire her partner the same way? Boyd’s first book, My Husband Betty, explored the relationships of cross-dressing men and their partners. Now, She’s Not the Man I Married is both a sequel and a more expansive examination of gender in relationships. It’s for couples who are homosexual or heterosexual, and for readers who fall anywhere along the gender continuum. As Boyd struggles to understand the nature of marriage, passion, and love, she shares her confusion and anger, providing a fascinating observation of the ways in which relationships are gendered, and how we cope, or don’t, with the emotional and sexual pressures that gender roles can bring to our marriages and relationships.
By examining the perilous intersections of identity, categorization, and community, contributors challenge societal mores and countercultural norms.